The Ribes Baldachin and its inscriptions: Origin and new interpretations

Jesús Alturo; Tània Alaix

The Ribes Baldachin and its inscriptions: Origin and new interpretations

Jesús Alturo, Tània Alaix

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© Patronat d'Estudis Osonencs. The Ribes Baldachin was produced in Ripoll maybe in order to protect and highlight the altar of the Church of Santa Maria of Ripoll around the middle of the twelfth century, as can be deduced from the full and exact identification of the inscriptions around the mandorla, and those of the frieze, which are also restored and whose meaning allows an iconographic and iconological interpretation of the canopy.

Idioma original	Inglés
Páginas (desde-hasta)	247-257
Publicación	AUSA
Volumen	26
N.º	172
Estado	Publicada - 1 ene 2013

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abstract = "{\textcopyright} Patronat d'Estudis Osonencs. The Ribes Baldachin was produced in Ripoll maybe in order to protect and highlight the altar of the Church of Santa Maria of Ripoll around the middle of the twelfth century, as can be deduced from the full and exact identification of the inscriptions around the mandorla, and those of the frieze, which are also restored and whose meaning allows an iconographic and iconological interpretation of the canopy.",

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KW - Painted altar-canopies

KW - Ribes Baldachin

KW - Ripoll

KW - Romanesque art

KW - XII century

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The Ribes Baldachin and its inscriptions: Origin and new interpretations

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