Abstract
Between the introduction of the term “culture industry” in the late 1940s by Ger-
man thinkers as Adorno and Horkheimer, and the promotion of the concept “crea-
tive industries” at the end of the past century, a group of French scholars developed
complementing critical approaches in the 1970s that offered a platform for a ro-
bust, specific theoretical approach that Spanish authors would further develop. The
article offers a review of the most relevant contributions of these authors, focussing
on the Spanish ones. To do this, an exhaustive bibliographical review was carried
out and two principal Spanish representatives were interviewed.
man thinkers as Adorno and Horkheimer, and the promotion of the concept “crea-
tive industries” at the end of the past century, a group of French scholars developed
complementing critical approaches in the 1970s that offered a platform for a ro-
bust, specific theoretical approach that Spanish authors would further develop. The
article offers a review of the most relevant contributions of these authors, focussing
on the Spanish ones. To do this, an exhaustive bibliographical review was carried
out and two principal Spanish representatives were interviewed.
| Original language | English |
|---|---|
| Title of host publication | Present Scenarios of Media Production and Engagemen |
| Place of Publication | Bremen |
| Pages | 85-94 |
| Number of pages | 10 |
| Publication status | Published - 2017 |
Publication series
| Name | The Researching and Teaching Communication Series |
|---|---|
| Publisher | Edition Lumière |
Keywords
- Cultural Industries
- Communication
- Culture
- Political Economy of Communication and Culture
- Spain