The Ribes Baldachin and its inscriptions: Origin and new interpretations

Jesús Alturo, Tània Alaix

Research output: Contribution to journalArticleResearchpeer-review

1 Citation (Scopus)

Abstract

© Patronat d'Estudis Osonencs. The Ribes Baldachin was produced in Ripoll maybe in order to protect and highlight the altar of the Church of Santa Maria of Ripoll around the middle of the twelfth century, as can be deduced from the full and exact identification of the inscriptions around the mandorla, and those of the frieze, which are also restored and whose meaning allows an iconographic and iconological interpretation of the canopy.
Original languageEnglish
Pages (from-to)247-257
JournalAusa
Volume26
Issue number172
Publication statusPublished - 1 Jan 2013

Keywords

  • Inscriptions
  • Painted altar-canopies
  • Ribes Baldachin
  • Ripoll
  • Romanesque art
  • XII century

Fingerprint Dive into the research topics of 'The Ribes Baldachin and its inscriptions: Origin and new interpretations'. Together they form a unique fingerprint.

  • Cite this