The Ribes Baldachin and its inscriptions: Origin and new interpretations

Jesús Alturo; Tània Alaix

The Ribes Baldachin and its inscriptions: Origin and new interpretations

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Abstract

© Patronat d'Estudis Osonencs. The Ribes Baldachin was produced in Ripoll maybe in order to protect and highlight the altar of the Church of Santa Maria of Ripoll around the middle of the twelfth century, as can be deduced from the full and exact identification of the inscriptions around the mandorla, and those of the frieze, which are also restored and whose meaning allows an iconographic and iconological interpretation of the canopy.

Original language	English
Pages (from-to)	247-257
Journal	Ausa
Volume	26
Issue number	172
Publication status	Published - 1 Jan 2013

Keywords

Inscriptions
Painted altar-canopies
Ribes Baldachin
Ripoll
Romanesque art
XII century

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KW - Painted altar-canopies

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KW - Ripoll

KW - Romanesque art

KW - XII century

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The Ribes Baldachin and its inscriptions: Origin and new interpretations

Abstract

Keywords

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