Skip to main navigation Skip to search Skip to main content

La “política cultural de las emociones” en La Tribuna de Emilia Pardo Bazán

Translated title of the contribution: The "cultural politics of emotions" in La Tribuna by Emilia Pardo Bazán

Montserrat Amores*

*Corresponding author for this work

Research output: Contribution to journalArticleResearchpeer-review

Abstract

Emilia Pardo Bazán created in Amparo, the main character in La Tribuna, one of the first republican leaders represented in nineteenth-century Spanish literature. In the character three different roles converge in conflict with one another: gender, social and political roles. This conflict can be better understood when analyzing the novel as the story of the formation and rise of a revolutionary leader from the representation of emotions and their role in the novel. The paper studies the character as “being emotional,” based on the theoretical framework offered by Sarah Ahmed’s The Cultural Politics of Emotions. For this purpose, each one of the facets of Amparo will be taken into account: as a woman, as a worker, as a speaker, and as a mother. Its application will consider three levels of analysis: emotions and their actions in the words of the characters and in the plot; the narrative voice generating emotions; and, ultimately, the author’s voice.
Translated title of the contributionThe "cultural politics of emotions" in La Tribuna by Emilia Pardo Bazán
Original languageSpanish
Pages (from-to)447-469
Number of pages23
JournalHispanic Review
Volume88
Issue number4
DOIs
Publication statusPublished - 1 Sept 2020

Fingerprint

Dive into the research topics of 'The "cultural politics of emotions" in La Tribuna by Emilia Pardo Bazán'. Together they form a unique fingerprint.

Cite this