Abstract
The topic of this paper is the rewriting of the Divine Comedy proposed in 2008 by the Socìetas Raffaello Sanzio, company of experimental theater known in the international sphere for postdramatic and iconoclastic aesthetic. This study aims to highlight connections with Dante's poem and, at the same time, the break up and the radicality of rewriting by the Socìetas based on the tragicalness, the fragmentary and the deconstruction. On postdramatic stage, Inferno, Purgatorio and Paradiso generate powerful figurations that reproduce the stages of a labyrinthine and physical journey through the meanders of life and art.
Original language | Italian |
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Pages (from-to) | 157-176 |
Number of pages | 20 |
Journal | Dante e l'Arte |
Volume | 1 |
DOIs | |
Publication status | Published - 2014 |
Keywords
- Divina commedia
- Socìetas raffaello sanzio
- Riscrittura
- Teatro postdrammatico
- Tragedia