Els aeròfons en època ibèrica. Una aproximació a partir de la iconografia ceràmica

The value analysis of some Iberian iconographic sources presents a broader and more complex outlook than the one we had imagined until a few years ago in the field of music organology. From the images mainly found in ceramic support we note quite a relevant preponderance of double-tube aerophones (and likely high pitched). Despite the stylized and schematic character of these representations we can deduce the existence of an interesting musical rich-ness that reflects an Iberian culture soundscape, as yet far too little researched.