Dwellings for the self. Notes of art and testimony in hannah arendt’s thinking and nora strejilevich’s writing

Noemí Acedo Alonso

doi:10.14201/alh2018787386

Dwellings for the self. Notes of art and testimony in hannah arendt’s thinking and nora strejilevich’s writing

Noemí Acedo Alonso

Research output: Contribution to journal › Article › Research › peer-review

Abstract

© Ediciones Universidad de Salamanca/CC BY-NC-ND. In this article we study Hannah Arendt’s notion of art as a habitable abode [mo-rada habitable], which she analyzes in a brief chapter of the essay The Human Condition (1968). Secondly, we analyze a short story (a fictional testimony about the State terrorism in Argentina) written by the Argentinean author Nora Strejilevich. The starting point in this story is, precisely, Arendt’s idea about art, which Strejilevich materializes in three important abodes that makes us live: our body, our house and our country. Our research question is about how the author deals with this idea about art, and how it corresponds to Arendt’s idea.

Original language	English
Pages (from-to)	73-86
Journal	America Latina Hoy
Volume	78
DOIs	https://doi.org/10.14201/alh2018787386
Publication status	Published - 1 Apr 2018

Keywords

Art
Body
Country
Exile
Testimony

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title = "Dwellings for the self. Notes of art and testimony in hannah arendt{\textquoteright}s thinking and nora strejilevich{\textquoteright}s writing",

abstract = "{\textcopyright} Ediciones Universidad de Salamanca/CC BY-NC-ND. In this article we study Hannah Arendt{\textquoteright}s notion of art as a habitable abode [mo-rada habitable], which she analyzes in a brief chapter of the essay The Human Condition (1968). Secondly, we analyze a short story (a fictional testimony about the State terrorism in Argentina) written by the Argentinean author Nora Strejilevich. The starting point in this story is, precisely, Arendt{\textquoteright}s idea about art, which Strejilevich materializes in three important abodes that makes us live: our body, our house and our country. Our research question is about how the author deals with this idea about art, and how it corresponds to Arendt{\textquoteright}s idea.",

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AB - © Ediciones Universidad de Salamanca/CC BY-NC-ND. In this article we study Hannah Arendt’s notion of art as a habitable abode [mo-rada habitable], which she analyzes in a brief chapter of the essay The Human Condition (1968). Secondly, we analyze a short story (a fictional testimony about the State terrorism in Argentina) written by the Argentinean author Nora Strejilevich. The starting point in this story is, precisely, Arendt’s idea about art, which Strejilevich materializes in three important abodes that makes us live: our body, our house and our country. Our research question is about how the author deals with this idea about art, and how it corresponds to Arendt’s idea.

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KW - Body

KW - Country

KW - Exile

KW - Testimony

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JO - America Latina Hoy

JF - America Latina Hoy

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