Abstract
Rojas seems to Areúsa to attribute two different papers in the work. In the Comedy he presents it as the friend of a military man with the one that lives together in a regimen of concubinage allowed by the law and that was the most similar thing to the marriage. In the Tragicomedy, on the other hand, he turns her into a clandestine prostitute who takes part of the corruption of the justice to make and to undo to her whim. In five interpolated cars he ends up by granting her a function very similar to the one that had had the deceased Celestina.
Original language | English |
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Pages (from-to) | 355-385 |
Journal | Anuario de estudios medievales |
Volume | 40 |
Issue number | 1 |
Publication status | Published - 24 Nov 2010 |
Keywords
- Comedy
- Concubinage
- Corruption
- Marriage
- Prostitution
- Tragicomedy