The Ribes Baldachin and its inscriptions: Origin and new interpretations

Jesús Alturo; Tània Alaix

The Ribes Baldachin and its inscriptions: Origin and new interpretations

Jesús Alturo, Tània Alaix

Producció científica: Contribució a revista › Article › Recerca › Avaluat per experts

Resum

© Patronat d'Estudis Osonencs. The Ribes Baldachin was produced in Ripoll maybe in order to protect and highlight the altar of the Church of Santa Maria of Ripoll around the middle of the twelfth century, as can be deduced from the full and exact identification of the inscriptions around the mandorla, and those of the frieze, which are also restored and whose meaning allows an iconographic and iconological interpretation of the canopy.

Idioma original	Anglès
Pàgines (de-a)	247-257
Revista	AUSA
Volum	26
Número	172
Estat de la publicació	Publicada - 1 de gen. 2013

Accés al document

https://ddd.uab.cat/record/150391

Altres arxius i enllaços

https://www.scopus.com/pages/publications/84908447690

Com citar-ho

@article{fe1bd61bcd3e4ac585dd723a4abb887f,

title = "The Ribes Baldachin and its inscriptions: Origin and new interpretations",

abstract = "{\textcopyright} Patronat d'Estudis Osonencs. The Ribes Baldachin was produced in Ripoll maybe in order to protect and highlight the altar of the Church of Santa Maria of Ripoll around the middle of the twelfth century, as can be deduced from the full and exact identification of the inscriptions around the mandorla, and those of the frieze, which are also restored and whose meaning allows an iconographic and iconological interpretation of the canopy.",

keywords = "Inscriptions, Painted altar-canopies, Ribes Baldachin, Ripoll, Romanesque art, XII century",

author = "Jes{\'u}s Alturo and T{\`a}nia Alaix",

year = "2013",

month = jan,

day = "1",

language = "English",

volume = "26",

pages = "247--257",

journal = "AUSA",

issn = "0210-5853",

publisher = "Patronat d'Estudis Osonencs",

number = "172",

}

TY - JOUR

T1 - The Ribes Baldachin and its inscriptions: Origin and new interpretations

AU - Alturo, Jesús

AU - Alaix, Tània

PY - 2013/1/1

Y1 - 2013/1/1

N2 - © Patronat d'Estudis Osonencs. The Ribes Baldachin was produced in Ripoll maybe in order to protect and highlight the altar of the Church of Santa Maria of Ripoll around the middle of the twelfth century, as can be deduced from the full and exact identification of the inscriptions around the mandorla, and those of the frieze, which are also restored and whose meaning allows an iconographic and iconological interpretation of the canopy.

AB - © Patronat d'Estudis Osonencs. The Ribes Baldachin was produced in Ripoll maybe in order to protect and highlight the altar of the Church of Santa Maria of Ripoll around the middle of the twelfth century, as can be deduced from the full and exact identification of the inscriptions around the mandorla, and those of the frieze, which are also restored and whose meaning allows an iconographic and iconological interpretation of the canopy.

KW - Inscriptions

KW - Painted altar-canopies

KW - Ribes Baldachin

KW - Ripoll

KW - Romanesque art

KW - XII century

UR - https://www.scopus.com/pages/publications/84908447690

M3 - Article

SN - 0210-5853

VL - 26

SP - 247

EP - 257

JO - AUSA

JF - AUSA

IS - 172

ER -

The Ribes Baldachin and its inscriptions: Origin and new interpretations

Resum

Accés al document

Altres arxius i enllaços

Fingerprint

Com citar-ho