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Resum
Content shared on social media platforms is increasingly centred on images and conversations discussing television on digital platforms are also influenced by this trend. This article examines the visual data posted by viewers while watching the 2019 edition of the Spanish and British adaptations of the international Reality Show ‘The Voice’. With the sample including images posted by viewers on Twitter during the broadcast of the episodes, the production formats, the type of content, the purpose of the images and the connection between the visual data and the text in the tweet have been analysed. The results highlight three different trends: the parallel visual narrative created by viewers on Twitter through the use of digital culture, the showcasing of their private sphere and the appropriation of images from the television episodes altering the discourse presented by the broadcasters.
Títol traduït de la contribució | La selección de imagenespor parte de las audiencias de televisión social: la narrativa de los espectadores de The Voice UK y La Voz (España) en Twitter |
---|---|
Idioma original | English |
Pàgines (de-a) | 193-207 |
Nombre de pàgines | 15 |
Revista | Observatorio |
Volum | 16 |
Número | 2 |
DOIs | |
Estat de la publicació | Publicada - 9 de juny 2022 |
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De la hegemonía a la competencia: transformaciones en las estrategias programáticas de las televisiones públicas europeas en los últimos 30 años (UE5)
Garcia-Muñoz, N. (Investigador/a principal), Delgado Reina, M. (Investigador/a Principal 2), Navarro Bosch, C. (Col.laborador/a), Franquet Calvet, M. R. (Investigador/a), Monclus Blanco, A. B. (Investigador/a), Prado Pico, E. (Investigador/a), Ribes Guàrdia, X. (Investigador/a) & Froilan Rodriguez, C. (Col.laborador/a)
Ministerio de Ciencia e Innovación (MICINN)
1/01/19 → 31/12/22
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