Resum
This article aims to analyse how Netflix uses social media to generate a dialogue between the local and transnational layers of television, to position its brand and curate content in domestic markets. Within the frame of transnationalism, a cross-cultural comparative study has been conducted in three different local European markets: the United Kingdom, Spain and the Nordic region. The results show the negotiation between transnationalisation and the needs of local cultural distinctiveness through language adaptation, emphasis on in-house original US flagship productions, the overrepresentation of original local content and use of cultural references at different levels.
Idioma original | Anglès |
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Pàgines (de-a) | 347-374 |
Nombre de pàgines | 28 |
Revista | Critical Studies in Television |
Volum | 16 |
Número | 4 |
Data online anticipada | 10 de des. 2021 |
DOIs | |
Estat de la publicació | ePub previa a impressió - 10 de des. 2021 |