TY - JOUR
T1 - Orality al italico modo in Three Episodes of "Don Quixote" Part I
AU - Berruezo-Sánchez, Diana
N1 - Publisher Copyright:
© 2019 Liverpool University Press. All rights reserved.
PY - 2019
Y1 - 2019
N2 - Don Quixote is a book about books with a clear awareness of the act of writing, reading and telling stories. Orality is a key feature in Cervantes's masterpiece, particularly in characters becoming storytellers throughout the first part, just as in Italian short stories. Yet the Italian influence on the act of telling stories in Don Quixote Part 1 can be addressed in more depth. This article examines the dialogue established by Cervantes with the novella, especially in creating the illusion of orality, and recreates the intertextual dialogue in three episodes, namely the prologue of Don Quixote Part I, the tale narrated by Sancho about shepherdess Torralba and shepherd Ruiz Lopez, and Don Quixote's tale about a widow and a 'mozo motilon'. Such considerations allow us firstly to compare Cervantes's prologue to Decameron's Fourth Day foreword; secondly to encapsulate the features common to oral tales and the Italian novella; and finally, to explore the different oral skills performed by Sancho and his master.
AB - Don Quixote is a book about books with a clear awareness of the act of writing, reading and telling stories. Orality is a key feature in Cervantes's masterpiece, particularly in characters becoming storytellers throughout the first part, just as in Italian short stories. Yet the Italian influence on the act of telling stories in Don Quixote Part 1 can be addressed in more depth. This article examines the dialogue established by Cervantes with the novella, especially in creating the illusion of orality, and recreates the intertextual dialogue in three episodes, namely the prologue of Don Quixote Part I, the tale narrated by Sancho about shepherdess Torralba and shepherd Ruiz Lopez, and Don Quixote's tale about a widow and a 'mozo motilon'. Such considerations allow us firstly to compare Cervantes's prologue to Decameron's Fourth Day foreword; secondly to encapsulate the features common to oral tales and the Italian novella; and finally, to explore the different oral skills performed by Sancho and his master.
UR - https://www.scopus.com/pages/publications/85069762800
U2 - 10.3828/bhs.2019.42
DO - 10.3828/bhs.2019.42
M3 - Article
SN - 1475-3839
VL - 96
SP - 695
EP - 709
JO - Bulletin of Hispanic Studies
JF - Bulletin of Hispanic Studies
IS - 7
ER -