TY - JOUR
T1 - Ocnos o l’esglai d’una imatge
AU - Subirachs, Jordi Cerdà
PY - 2017/1/1
Y1 - 2017/1/1
N2 - © 2017 Albert-Ludwigs-Universitat. All right reserved. Ocnos has a recurring presence in Salvador Espriu’s late works. Although the ambivalent meaning of this mythical figure has been little discussed in modernity, a number of distinguished critics have taken keen interest since Goethe took it up again in his commentary on Pausanies. In fact, the late Espriu portrays, in the stupid uselessness of Ocnos’s work, the failure and the emptiness of the poet and of the human being likewise. Nevertheless, this enigmatic figure holds other meanings which lead us to fear, to paralysing fear, to the so called “parat esglai”. Espriu brings this character in Hades to Sinera and he becomes the axis around which he builds his singular poetics.
AB - © 2017 Albert-Ludwigs-Universitat. All right reserved. Ocnos has a recurring presence in Salvador Espriu’s late works. Although the ambivalent meaning of this mythical figure has been little discussed in modernity, a number of distinguished critics have taken keen interest since Goethe took it up again in his commentary on Pausanies. In fact, the late Espriu portrays, in the stupid uselessness of Ocnos’s work, the failure and the emptiness of the poet and of the human being likewise. Nevertheless, this enigmatic figure holds other meanings which lead us to fear, to paralysing fear, to the so called “parat esglai”. Espriu brings this character in Hades to Sinera and he becomes the axis around which he builds his singular poetics.
KW - Matriarchy
KW - Archaeology
KW - Literature
KW - Johann jakob bachofen
KW - Ocnos
KW - Espriu
KW - Ocnos i el parat esglai
KW - El blau
KW - Les roques i el mar
UR - https://dialnet.unirioja.es/servlet/articulo?codigo=7644252
M3 - Article
SN - 0932-2221
VL - 30
SP - 293
EP - 314
JO - Zeitschrift fur Katalanistik
JF - Zeitschrift fur Katalanistik
ER -