Exhibition and preservation of non-fiction interactive and transmedia forms of expression

A. Gifreu-Castells

doi:10.1108/CC-08-2017-0037

Exhibition and preservation of non-fiction interactive and transmedia forms of expression

A. Gifreu-Castells

Departament de Comunicació Audiovisual i Publicitat

Producció científica: Contribució a revista › Article › Recerca › Avaluat per experts

1 Citació (Scopus)

Resum

L'actualització constant i l'avenç imparable de les tecnologies, la barreja de plataformes, programes i codis i les noves tendències en finançament, entre altres factors, ens han portat a un present-futur ple d'artefactes i obres digitals interactius, col·laboratius, participatius i cocreatius. Els jocs, els projectes experimentals, els curtmetratges i els videoclips interactius, en relació amb la narrativa de ficció i no ficció, com el documental i el periodisme principalment, generen un complex conjunt d'obres que depenen d'una sèrie de compatibilitats entre tecnologies i llenguatges per a funcionar correctament i mantenir-se al dia. L'objectiu principal d'aquest article és analitzar com es poden exhibir i conservar les formes d'expressió de la narrativa interactiva no fictícia, mirant quatre gèneres principals: documental, periodisme, museus i educació.

Idioma original	Anglès
Pàgines (de-a)	85-92
Nombre de pàgines	8
Revista	Collection and Curation
Volum	37
Número	2
DOIs	https://doi.org/10.1108/CC-08-2017-0037
Estat de la publicació	Publicada - 3 d’abr. 2018

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10.1108/CC-08-2017-0037Llicència: C In Copyright

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https://www.scopus.com/pages/publications/85064228821

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abstract = "The constant updating and unstoppable advance of technologies, mixing of platforms, programs and codes and the new trends in funding, among other factors, have led us to a present-future full of interactive, collaborative, participatory and co-creative digital artefacts and works. Games, experimental projects, short films and interactive video clips, in relation to fictional and non-fictional narrative, like documentary and journalism mainly, generate a complex body of works that depend on a series of compatibilities between technologies and languages to work properly and keep up with the times. The main purpose of this article is to analyse how the expression forms of interactive nonfiction narrative can be exhibited and preserved, looking at four main genres: documentary, journalism, museums and education.",

author = "A. Gifreu-Castells",

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AB - The constant updating and unstoppable advance of technologies, mixing of platforms, programs and codes and the new trends in funding, among other factors, have led us to a present-future full of interactive, collaborative, participatory and co-creative digital artefacts and works. Games, experimental projects, short films and interactive video clips, in relation to fictional and non-fictional narrative, like documentary and journalism mainly, generate a complex body of works that depend on a series of compatibilities between technologies and languages to work properly and keep up with the times. The main purpose of this article is to analyse how the expression forms of interactive nonfiction narrative can be exhibited and preserved, looking at four main genres: documentary, journalism, museums and education.

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Exhibition and preservation of non-fiction interactive and transmedia forms of expression

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